Sunday, November 15, 2009
After the tremendous success of In Harihar Nagar and To Harihar Nagar, four musketeers are back to take us on a rollercoaster ride once again.The movie will contain the same characters Mahadevan (Mukesh),Govindan Kutty (Siddique),Appukuttan (Jagadeesh) and Thomaskutty (Asokan).Apart from them Rohini appears as Mahadevan’s wife, Lena as Govindan Kutty’s wife, Fabi as Appukuttan’s wife and Rakhi as Thomas Kutty’s wife. 18 years ago Siddique-Lal team had come up with In Harihar Nagar with Mukesh, Jagadeesh, Siddique and Ashokan. In 2009 they came back with To Harihar Nagar. Lal who had turned independent director with To Harihar Nagar is directing the third part also which has been titled as In Ghosthouse Inn.
In the second part the four men were seen with their wives. Lena, Rakhi, Rohini and Reena Basheer who were seen in those roles, will be there in the third part as well. The four men come to Ooty to spend their holidays with their families and stay at a haunted house. The story then takes on from there and the problems they encounter during their stay there. Of course there would be a beautiful lady to steal their hearts in the third part as well. A South Indianactress is expected to play this role.In Ghosthouse Inn will start shooting in October and will be jointly produced by Lal Creations and PN V Associates. So sit tight, the trouble pokers are back to make you laugh your hearts out.
Tags:-in harihar nagar, to harihar nagar, in ghosthouse inn, lal, mukesh, siddique, asokan, jagadeesh
In the second part the four men were seen with their wives. Lena, Rakhi, Rohini and Reena Basheer who were seen in those roles, will be there in the third part as well. The four men come to Ooty to spend their holidays with their families and stay at a haunted house. The story then takes on from there and the problems they encounter during their stay there. Of course there would be a beautiful lady to steal their hearts in the third part as well. A South Indianactress is expected to play this role.In Ghosthouse Inn will start shooting in October and will be jointly produced by Lal Creations and PN V Associates. So sit tight, the trouble pokers are back to make you laugh your hearts out.
Tags:-in harihar nagar, to harihar nagar, in ghosthouse inn, lal, mukesh, siddique, asokan, jagadeesh
Friday, November 13, 2009
Cast and Crew
Director : Saji Surendran
Producer : Milan Jaleel
Banner : Galaxy Plus Films
Script : Krishna Poojappura
Production Controller : Raju Nellimoodu
Production Executive : Rajan Poojappura
Stillz - Mahadevan Thampy
Director : Saji Surendran
Producer : Milan Jaleel
Banner : Galaxy Plus Films
Script : Krishna Poojappura
Production Controller : Raju Nellimoodu
Production Executive : Rajan Poojappura
Happy Husband is comedy movies from the hands of a Young director Saji Srendran's with three heros and four heroines its protagonists played on screen by Jayaram, Jayasuriya and Indrajith. While Bhavana will pair with Jayaram, Samvrutha will become the heroine to Indrajith and Vandana will become the heroine to Jayasuriya. Rima Kallingal will appear as a suspense character who comes into the lives of these three husbands with varied characters. Krishna Poojappura will script the movie which is produced by Milan Jaleel in the banner of Galaxy films. The movie which will kick off its shoot at Kochy will also be shot at Singapore and Malaysia.
Stillz - Mahadevan Thampy
Cast-Jayaram,Jayasurya,Indrajith,Bhavana,Samvritha Sunil,Rima Kallingal,Vandana,Suraj Venjarammodu, Kochin Haneefa,Saleem Kumar
Tags:-Malyalam,Movies, Malayalam movies,upcoming movies,Latest movies,Happy Husbands,Malayalam new releases,Happy Husbands Cast and Crew,Happy Husbands wallpapers,Happy Husbands Latest Image Gallaey
Thursday, September 10, 2009
Kumaravelan makes his best attempt in doing justice to Lal Jose’s ‘Classmates’ that indeed revived as a fantabulous flick in Malayalam film industry.
Kumaravelan has brilliantly picked merely the storyline with a different conceptualization. Although both the versions have the storyline, the screenplay has been completely different and new-fangled.
When Lal Jose planted the mystery drama right there in the first scene, Kumaravelan inserts it right in ‘interval’ point.
Ninaithale Inikkum starts off with 2000 batch students which aren’t just a reunion, but an important occasion to remember their friend Sakthi (Sakthi) who passed away during their final year. Shiva (Prithviraj) is making his flight from Mumbai while Meera (Priyamani), daughter of MLA, Karthik (Jeeva), Vasu (Karthik) and others present there. Meanwhile there’s a flashback getting us about the beautiful days of college life where there’s love, hate, elections and disappointments…
Cut to present, Sakthi’s father (Bhagyaraj) launches a music library in their college as a token of fulfilling his son’s wish. Soon after the dinner, when Meera wants to express that still she has feelings for Shiva, she finds him chocked with a guitar string.
Was it an attempt to homicide or suicide? Find the rest on screens…
When Lal Jose made this film, it all started with a mystery and continued to be more off thrilling moments. Even the happy college days in flashbacks never pulled us over with ‘suspense’ factor was overshadowing everything. But, Kumaravelan does it blissfully.
As well, the ‘cellphone’ affairs has been precisely mentioned as you don’t see much students carrying mobile phones (In 2000, cell phone was introduced, but it was a costly affair and wasn’t handled by college students… that’s the reason there happens to be a communication between lovers through slip in library books.)
As well Lal Jose had established students as 1992-93 batch and in present time they were appearing with same youthful looks. But Kumaravelan has gradually does a smart work by getting them depicted as 2000 batch students. The belittling factor is Prithviraj doesn’t seem to be wretched with his past when introduced while in Malayalam version, he looked so (If you ask why he should be sad? You’ve got to watch the film first for a shocking climax.)
Prithviraj does a great job with a distinguished performance from original and remake version. We never knew he dances well. Priyamani looks apt for the bold character while Sakthi proves of his matured performance. It’s better if he continues getting on with similar patterned characters. Anuja Iyer is a special surprise. Looks like she hasn’t got out her ‘Sivi’ impact… Karthik in a grey-shaded role comes up with interesting work. Vishnupriyan suits well for the role while Jeeva requires special mention. Finally, he has got an interesting role to perform and he has to thank Kumaravelan for it.
Musical score by Vijay Antony is fantabulous with different genres. Be it ‘Nanbanai Partha’,
‘Mere Piya’ and ‘Azhagai Pookuthey’: every song is quite enjoyable. Balasubramaniam’s cinematography has got eye-catching visuals. Dialogues are quite catchy.
Finally, as mentioned earlier all those filmmakers, especially few haunted by ‘Telugu remake mania’ can watch this film and learn how to remake a film…’
Kumaravelan has got a long way to go in film industry and we’re expecting yet more good films from him.
Rating: 4/5
Kumaravelan has brilliantly picked merely the storyline with a different conceptualization. Although both the versions have the storyline, the screenplay has been completely different and new-fangled.
When Lal Jose planted the mystery drama right there in the first scene, Kumaravelan inserts it right in ‘interval’ point.
Ninaithale Inikkum starts off with 2000 batch students which aren’t just a reunion, but an important occasion to remember their friend Sakthi (Sakthi) who passed away during their final year. Shiva (Prithviraj) is making his flight from Mumbai while Meera (Priyamani), daughter of MLA, Karthik (Jeeva), Vasu (Karthik) and others present there. Meanwhile there’s a flashback getting us about the beautiful days of college life where there’s love, hate, elections and disappointments…
Cut to present, Sakthi’s father (Bhagyaraj) launches a music library in their college as a token of fulfilling his son’s wish. Soon after the dinner, when Meera wants to express that still she has feelings for Shiva, she finds him chocked with a guitar string.
Was it an attempt to homicide or suicide? Find the rest on screens…
When Lal Jose made this film, it all started with a mystery and continued to be more off thrilling moments. Even the happy college days in flashbacks never pulled us over with ‘suspense’ factor was overshadowing everything. But, Kumaravelan does it blissfully.
As well, the ‘cellphone’ affairs has been precisely mentioned as you don’t see much students carrying mobile phones (In 2000, cell phone was introduced, but it was a costly affair and wasn’t handled by college students… that’s the reason there happens to be a communication between lovers through slip in library books.)
As well Lal Jose had established students as 1992-93 batch and in present time they were appearing with same youthful looks. But Kumaravelan has gradually does a smart work by getting them depicted as 2000 batch students. The belittling factor is Prithviraj doesn’t seem to be wretched with his past when introduced while in Malayalam version, he looked so (If you ask why he should be sad? You’ve got to watch the film first for a shocking climax.)
Prithviraj does a great job with a distinguished performance from original and remake version. We never knew he dances well. Priyamani looks apt for the bold character while Sakthi proves of his matured performance. It’s better if he continues getting on with similar patterned characters. Anuja Iyer is a special surprise. Looks like she hasn’t got out her ‘Sivi’ impact… Karthik in a grey-shaded role comes up with interesting work. Vishnupriyan suits well for the role while Jeeva requires special mention. Finally, he has got an interesting role to perform and he has to thank Kumaravelan for it.
Musical score by Vijay Antony is fantabulous with different genres. Be it ‘Nanbanai Partha’,
‘Mere Piya’ and ‘Azhagai Pookuthey’: every song is quite enjoyable. Balasubramaniam’s cinematography has got eye-catching visuals. Dialogues are quite catchy.
Finally, as mentioned earlier all those filmmakers, especially few haunted by ‘Telugu remake mania’ can watch this film and learn how to remake a film…’
Kumaravelan has got a long way to go in film industry and we’re expecting yet more good films from him.
Rating: 4/5
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